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Damla Sönmez

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Damla Sönmez Video

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She herself says that she chooses specific roles and stories, seeks richness in her characters and enjoys the challenges of difficult roles.

She immerses herself in these roles and is also active in producing and actor administration in film-making, having been The Young President of the 18th Broom Broom Women Films Festival in She establishes herself as a cinematic force, to say the least.

Damla is an only child of parents in technical professions. Her expansive theatrical education has meant that Damla has well-developed craft and linguistic skills which she has demonstrated magnificently across her varied acting roles.

Thus, from living and studying abroad, Damla is multilingual, speaking her native tongue, Turkish, as well as being fluent in French and English.

In Turkey, with its deep cinematic traditions, there are extensive opportunities for actors to progress their careers through dizis , stage and film, and now through the increasingly popular Netflix Original Productions.

Damla opts largely for the film trajectory although she does appear in several episodes of a number of dizis from as early as , and is involved in overseas productions seemingly more so than her peers, taking opportunities arising from travel and study abroad.

In film, she begins her career with a number of starring roles in Kampuste ciplak ayaklar followed by Bornova Bornova In this very poignant and quite disturbing story, Damla conveys the desperation of a migrant living in NYC, returning to Turkey with all its associated cross-cultural upheavals, including the emotional fallout of an unresolved romance with a childhood sweetheart.

These range from being a Sultan, a confused, ruthless Lady M-inspired girl from Izmir, a possibly jilted post-Second World War lover, an abused young woman, or as discussed below, a Queen of the Istanbul Underground in Cukur In this docudrama she is dressed in pale blue, the only noticeable flash of color in the whole series, playing a complex character.

In Ayla, as Nuran, her hair is lightened as are her clothes, and she appears chameleon-like with a new cinematographic message. In Sibel she is the consummate adaptive actor, resembling the mountain fauna in this green, forested landscape.

Each appearance provides a fine filmic platform to examine her acting and her versatility. Cukur is a Mafia dizi set in and near the neighborhood of Balat in Istanbul.

Damla straddles these two worlds wonderfully. In the complex characterization of her role in Cukur , Damla is beautifully attired, poised, well-groomed, fashionable, elite, almost aloof, but dangerous.

Damla in Sibel is a village outcast, inelegant, wild, untamed, a leprechaun-like sylph playing the lead role in khaki, a color matching her verdant, green eyes.

In each production, Damla is weaponized — in Sibel she carries a rifle, so different from her city pistol in Cukur.

She brandishes each of these weapons as though they are a part of her, in either setting. Her family is a well-known wealthy clan, well-connected, active in and linked to nefarious networks in Istanbul.

Despite her diminutive stature, you never once feel that she is not powerful enough to hold her own with them. Her scenes with Aras, who plays Yamac, the mafia family lead in this dizi , afford the most amazing connection between these two young stars.

You can see they are both at the top of their acting game: they have an on-screen chemistry that results from an implicit trust in each other.

As their interactions unfold, we see both of them embroiled in a serious, but out of control romance, deeply attracted to each other.

Each of her admirers is aware of the other, placing her, and her acting, in the middle of a perilous love triangle.

She uses her eyes and her hands to illustrate her indecision and confusion and is so authentic, managing to charm both of these admirers.

When Yamac and Efsun meet, she is tasked with eliminating him as they are enemies in the gangland community of Istanbul.

However, from the start, he becomes her weakness: she can only acquiesce submissively to his charm and his strength, portraying an internal inconsistency that is unsettling to her.

While she commands obedience from her house staff, manages her grandmother with a strength of resolve, charms Cagatay and makes good deals with members of the Istanbul underworld, she is cowered by Yamac.

Efsun rescues Yamac three times, consoles and heals him with a bedtime story of her life, strokes his face and his body, succumbs to his power and his needs on more than one occasion.

She surreptitiously interrogates others who have also known him to try to understand her own feelings for Yamac.

Yamac, on the other hand, first sees Efsun in a photo, on which he fixates momentarily. Upon meeting her, he is progressively driven by his jealousy into her orbit and he finally emerges from his earlier strong love with Sena Dilan Cicek Deniz , expressing a renewed and urgent love for Efsun, even though he knows she is enemy territory.

This mutual knowledge of who each of the other is, embellishes the tension between them: it is a forbidden romance. This is a great piece of agonized love, two tormented characters, partnered in an uncontrollable theatrical tussle.

In Sibel , we shift from the territorial underground battles of Istanbul to the provincial skirmishes of the majestic, misty, mountainous country of North Eastern Turkey.

The film is set in the tea growing plantations of The Black Sea. These aqueous and airy connotations are apt descriptions for the character of Sibel and for the cinematography of the movie.

As if this part of Turkey did not have enough of its own compelling charm, the filmmakers use the grandiosity of the magnificent mountains, their wonderful wildlife and expansive skies to juxtapose the small-mindedness of village thinking.

This is an allegorical tale, with a fabled feel and a moral tale to tell about female freedom. The scenario unfolds in a tiny, one-street village, using wolves apparently representing The Patriarchy , invoking ancestral whistling as a boundary object between the characters and the story.

The control lamp does not go off once the accus are fully charged. This appliance is equipped with overcharge protection.

It takes 10 to 14 hours to charge the accus the first time. The fully charged accus can be used for approximately 60 minutes, It then takes 7 hours to recharge the accus.

The accus should then be fully recharged. To increase the life of the accus, this charging and discharging process should be repeated approximately twice a year.

USE Never use the appliance with a defective guide comb or cutting head. This could cause cuts. Only use the trimmer as intended. Only cut natural hair.

The hair has to be clean and dry when you cut it! If necessary, you can dampen the hair slightly. Only cut small amounts.

Cut hair in progressively closer settings until you reach the desired length. The cutting head will become slow or blocked if you try to work too quickly or try to cut too much hair at once.

Let the appliance run freely for a short time before beginning. To set the correct head angle, push the sliding lock switch in the direction of "Unlock" and push the guide comb up or down.

Push the sliding lock switch in the direction of "Lock" to lock the guide comb into place. Remove the guide comb if you want to cut hair to a length of 1 mm.

Replace the guide comb, shorten your beard by using progressively closer settings until it is the desired length. You can use the trimming head for precise beard outlining even in hard to reach places, as well as for cleanly shaving hair along your neck.

The guide comb is suitable for short hair. Cut your hair in progressively closer settings to the desired length.

After use, remove the hair clippings from the cutting head with the brush provided. If the cutting head is used regularly, it should be oiled occasionally.

Remove the cutting head by pushing it backwards as shown. Press the white catch and squeeze one to two drops of oil between each pair of cutting teeth.

Click the catch back into place and push it with the cutting teeth to and fro to spread the oil. Replace the culling head by sliding the cutting head clip into the notch on the cover of the trimmer until you hear it snap into place.

Remove any excess oil by wiping with a cloth. If the oil supplied with the trimmer should run out. You can obtain accessories such as the cutting head, the guide comb in specialist shops.

Do not attempt to sharpen the cutting head yourself! Switch the trimmer off! Replace the cutting head as described under "Oiling the cutting head".

If they supply power for only a short period after charging, you can replace them. Use one accus of the type size AA, 1.

Always replace both accus at the same time. Please remember to respect the local regulations: hand in the non-working electrical equipments to an appropriate waste disposal center.

Cette situation peut causer des coupures. Le peigne guide est convenable pour les cheveux courts. Utilisez uniquement des piles de type AA, 1.

Gebruik het apparaat dus niet boven een met water gevulde wasbak of terwijl u een bad neemt. Neem dadelijk de stekker uit het stopcontact als de trimmer of oplader onverhoopt in water mocht vallen.

Gebruik het apparaat alleen met droge handen. Neem de stekker uit het stopcontact als het apparaat niet wordt gebruikt. Houd het apparaat buiten het bereik van kinderen.

Gebruik uitsluitend het met de trimmer meegeleverd oplaadsnoer om beschadiging van het apparaat te vermijden.

De trimmer is alleen geschikt voor het knippen en bijwerken van natuurlijk haar. Mits regelmatige reiniging en voorzichtige behandeling zult u uitstekende resultaten bekomen en lange jaren van uw trimmer kunnen genieten.

Laat eventuele reparaties aan trimmer en snoer uitsluitend uitvoeren door een bevoegde service of geschoold vakman.

Moderne meubels zijn meestal behandeld met diverse middelen en bedekt met een grote verscheidenheid van beschermende lak- en plasticlagen.

Ingeval u deze trimmer aan andere personen doorgeeft of door hen laat gebruiken, vergeet dan niet de gebruikshandleiding bij het apparaat te voegen.

Het indicatielampje licht op en de batterijen worden geladen. Het indicatielampje gaat niet automatisch uit als de batterijen volledig zijn opgeladen.

Dit apparaat is voorzien van een overladingsbeveiliging. De eerste volledige oplading duurt 10 tot 14 uur.

Het apparaat kan vervolgens ongeveer 60 minuten snoerloos gebruikt worden. Het heropladen van de batterijen duurt 7 uur.

Om de maximale ladingcapaciteit te bereiken moeten nieuwe batterijen volledig worden opgeladen voor het eerste gebruik; de Haar- en Baardtrimmer moet vervolgens gebruikt worden tot de batterijen volledig leeg zijn en de batterijen moeten nadien volledig heropgeladen worden.

Om de levensduur van de batterijen te verhogen is het aan te raden deze laaden ontlaadprocedure ongeveer om de zes maanden te herhalen. GEBRUIK Gebruik het apparaat niet als de trimkop of de opzetkam beschadigd of defect is want daardoor zou u schrammen of snijwonden kunnen oplopen.

Gebruik de trimmer uitsluitend voor het bestemde doel en volgens de aanwijzingen in deze handleiding.

Gebruik het apparaat alleen voor natuurlijk haar. Zorg dat het haar schoon en droog is als u het gaat knippen! U kunt het eventueel heel lichtjes bevochtigen.

Knip het haar met kleine hoeveelheden. Knip het haar geleidelijk met kortere opzetkam lengtegeleider dichter naar het hoofd toe, tot u de gewenste snijlengte bereikt hebt.

De messenkop zal vertragen of blokkeren als u te snel werkt of te veel haar ineens wilt knippen. Laat het apparaat eventjes aanstaan voordat u begint te knippen.

Verwijder de opzetkam als u haar wilt knippen op een lengte van 1 mm. Monteer de opzetkam; knip het haar geleidelijk korter door de kam dichter naar het hoofd te verstellen tot u de gewenste snijlengte bereikt hebt.

U kunt de trimkop gebruiken om uw baard te stylen, nekhaar te scheren en de haarlijn bij de werken. De opzetkam is geschikt om uw baard kort te knippen.

Knip uw baard geleidelijk korter door de kam dichter naar de huid toe te verstellen tot u de gewenste snijlengte bereikt hebt.

Damla SГ¶nmez - Navigationsmenü

Diese Namen lassen sich aber oft nicht aus dem Türkischen auch nicht aus dem Alttürkischen ableiten. Als Namensbestandteil, der dann männliche Träger bezeichnet, kann er am Namensanfang z. Halaskargazi Cd. Üftade Sk. Zu beachten ist dabei, dass diese Namen nicht unbedingt auf das biblische Vorbild Bezug nehmen, sondern auf eine historische Person, die als Muslim die arabische Form eines biblischen Namens führte.

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